kleidersachen
the small step between art and fashion

via blooming fabric my website

kleidersachen
bienenkiste:

Photographed by Peter Lindbergh for Vogue Italia March 2013
13skref:

LOAN
to lend something to someone
http://13skref.tumblr.com/
Leonce Raphael Agbodjelou captures the life and culture of his native homeland, Nigeria via patternpeople
ZoomInfo
mapsinchoate:


{Mapped: diagrams of the contents of a brain}

propaedeuticist
mapsinchoate:


{Mapped: diagrams of the contents of a brain}

propaedeuticist
mapsinchoate:


{Mapped: diagrams of the contents of a brain}

propaedeuticist
mapsinchoate:


{Mapped: diagrams of the contents of a brain}

propaedeuticist
mapsinchoate:


{Mapped: diagrams of the contents of a brain}

propaedeuticist
lpandeff:

Bottega Veneta, Collezioni Autunno Inverno 2013-14, Milano
ZoomInfo
unadoptable:

tuesdayblouse:

austinkleon:

Andrea Dezsö’s Embroidered “Lessons From My Mother”
I met Andrea in San Diego last year and was immediately floored by her work. (Also, being 1/4 Romanian but still knowing almost nothing about Romania, I’m always fascinated by Romanian artists.)
NYTimes:

From afar, the stitching and calming colors looked like the work of a doting grandmother, but up close there were images of vaginas, fetuses and a study of the myths that mothers told their daughters in Transylvania, Romania, where Ms. Dezsö, 39, was raised…
Working in the city has provided fodder for many of her ideas and for her embroidery series, which she stitched while traveling throughout the city. A woman stitching in public is viewed differently in different neighborhoods, Ms. Dezsö found.
“If I’m in Queens, people think I’m a traditional woman,” Ms. Dezsö said. “If I’m in Manhattan, it’s the hippest thing.”

See more of Andrea’s work here.

these are freakin great

beautiful 
unadoptable:

tuesdayblouse:

austinkleon:

Andrea Dezsö’s Embroidered “Lessons From My Mother”
I met Andrea in San Diego last year and was immediately floored by her work. (Also, being 1/4 Romanian but still knowing almost nothing about Romania, I’m always fascinated by Romanian artists.)
NYTimes:

From afar, the stitching and calming colors looked like the work of a doting grandmother, but up close there were images of vaginas, fetuses and a study of the myths that mothers told their daughters in Transylvania, Romania, where Ms. Dezsö, 39, was raised…
Working in the city has provided fodder for many of her ideas and for her embroidery series, which she stitched while traveling throughout the city. A woman stitching in public is viewed differently in different neighborhoods, Ms. Dezsö found.
“If I’m in Queens, people think I’m a traditional woman,” Ms. Dezsö said. “If I’m in Manhattan, it’s the hippest thing.”

See more of Andrea’s work here.

these are freakin great

beautiful 
unadoptable:

tuesdayblouse:

austinkleon:

Andrea Dezsö’s Embroidered “Lessons From My Mother”
I met Andrea in San Diego last year and was immediately floored by her work. (Also, being 1/4 Romanian but still knowing almost nothing about Romania, I’m always fascinated by Romanian artists.)
NYTimes:

From afar, the stitching and calming colors looked like the work of a doting grandmother, but up close there were images of vaginas, fetuses and a study of the myths that mothers told their daughters in Transylvania, Romania, where Ms. Dezsö, 39, was raised…
Working in the city has provided fodder for many of her ideas and for her embroidery series, which she stitched while traveling throughout the city. A woman stitching in public is viewed differently in different neighborhoods, Ms. Dezsö found.
“If I’m in Queens, people think I’m a traditional woman,” Ms. Dezsö said. “If I’m in Manhattan, it’s the hippest thing.”

See more of Andrea’s work here.

these are freakin great

beautiful 
unadoptable:

tuesdayblouse:

austinkleon:

Andrea Dezsö’s Embroidered “Lessons From My Mother”
I met Andrea in San Diego last year and was immediately floored by her work. (Also, being 1/4 Romanian but still knowing almost nothing about Romania, I’m always fascinated by Romanian artists.)
NYTimes:

From afar, the stitching and calming colors looked like the work of a doting grandmother, but up close there were images of vaginas, fetuses and a study of the myths that mothers told their daughters in Transylvania, Romania, where Ms. Dezsö, 39, was raised…
Working in the city has provided fodder for many of her ideas and for her embroidery series, which she stitched while traveling throughout the city. A woman stitching in public is viewed differently in different neighborhoods, Ms. Dezsö found.
“If I’m in Queens, people think I’m a traditional woman,” Ms. Dezsö said. “If I’m in Manhattan, it’s the hippest thing.”

See more of Andrea’s work here.

these are freakin great

beautiful 
unadoptable:

tuesdayblouse:

austinkleon:

Andrea Dezsö’s Embroidered “Lessons From My Mother”
I met Andrea in San Diego last year and was immediately floored by her work. (Also, being 1/4 Romanian but still knowing almost nothing about Romania, I’m always fascinated by Romanian artists.)
NYTimes:

From afar, the stitching and calming colors looked like the work of a doting grandmother, but up close there were images of vaginas, fetuses and a study of the myths that mothers told their daughters in Transylvania, Romania, where Ms. Dezsö, 39, was raised…
Working in the city has provided fodder for many of her ideas and for her embroidery series, which she stitched while traveling throughout the city. A woman stitching in public is viewed differently in different neighborhoods, Ms. Dezsö found.
“If I’m in Queens, people think I’m a traditional woman,” Ms. Dezsö said. “If I’m in Manhattan, it’s the hippest thing.”

See more of Andrea’s work here.

these are freakin great

beautiful 
unadoptable:

tuesdayblouse:

austinkleon:

Andrea Dezsö’s Embroidered “Lessons From My Mother”
I met Andrea in San Diego last year and was immediately floored by her work. (Also, being 1/4 Romanian but still knowing almost nothing about Romania, I’m always fascinated by Romanian artists.)
NYTimes:

From afar, the stitching and calming colors looked like the work of a doting grandmother, but up close there were images of vaginas, fetuses and a study of the myths that mothers told their daughters in Transylvania, Romania, where Ms. Dezsö, 39, was raised…
Working in the city has provided fodder for many of her ideas and for her embroidery series, which she stitched while traveling throughout the city. A woman stitching in public is viewed differently in different neighborhoods, Ms. Dezsö found.
“If I’m in Queens, people think I’m a traditional woman,” Ms. Dezsö said. “If I’m in Manhattan, it’s the hippest thing.”

See more of Andrea’s work here.

these are freakin great

beautiful 
unadoptable:

tuesdayblouse:

austinkleon:

Andrea Dezsö’s Embroidered “Lessons From My Mother”
I met Andrea in San Diego last year and was immediately floored by her work. (Also, being 1/4 Romanian but still knowing almost nothing about Romania, I’m always fascinated by Romanian artists.)
NYTimes:

From afar, the stitching and calming colors looked like the work of a doting grandmother, but up close there were images of vaginas, fetuses and a study of the myths that mothers told their daughters in Transylvania, Romania, where Ms. Dezsö, 39, was raised…
Working in the city has provided fodder for many of her ideas and for her embroidery series, which she stitched while traveling throughout the city. A woman stitching in public is viewed differently in different neighborhoods, Ms. Dezsö found.
“If I’m in Queens, people think I’m a traditional woman,” Ms. Dezsö said. “If I’m in Manhattan, it’s the hippest thing.”

See more of Andrea’s work here.

these are freakin great

beautiful 
unadoptable:

tuesdayblouse:

austinkleon:

Andrea Dezsö’s Embroidered “Lessons From My Mother”
I met Andrea in San Diego last year and was immediately floored by her work. (Also, being 1/4 Romanian but still knowing almost nothing about Romania, I’m always fascinated by Romanian artists.)
NYTimes:

From afar, the stitching and calming colors looked like the work of a doting grandmother, but up close there were images of vaginas, fetuses and a study of the myths that mothers told their daughters in Transylvania, Romania, where Ms. Dezsö, 39, was raised…
Working in the city has provided fodder for many of her ideas and for her embroidery series, which she stitched while traveling throughout the city. A woman stitching in public is viewed differently in different neighborhoods, Ms. Dezsö found.
“If I’m in Queens, people think I’m a traditional woman,” Ms. Dezsö said. “If I’m in Manhattan, it’s the hippest thing.”

See more of Andrea’s work here.

these are freakin great

beautiful 
unadoptable:

tuesdayblouse:

austinkleon:

Andrea Dezsö’s Embroidered “Lessons From My Mother”
I met Andrea in San Diego last year and was immediately floored by her work. (Also, being 1/4 Romanian but still knowing almost nothing about Romania, I’m always fascinated by Romanian artists.)
NYTimes:

From afar, the stitching and calming colors looked like the work of a doting grandmother, but up close there were images of vaginas, fetuses and a study of the myths that mothers told their daughters in Transylvania, Romania, where Ms. Dezsö, 39, was raised…
Working in the city has provided fodder for many of her ideas and for her embroidery series, which she stitched while traveling throughout the city. A woman stitching in public is viewed differently in different neighborhoods, Ms. Dezsö found.
“If I’m in Queens, people think I’m a traditional woman,” Ms. Dezsö said. “If I’m in Manhattan, it’s the hippest thing.”

See more of Andrea’s work here.

these are freakin great

beautiful 
snuggalore:

broderi patchwork lenestol
slumber421:

Diane Meyer’s Embroidered Photography

The use of cross-stitching as a technique offers an exceptional sculptural effect that intensifies the dramatization of the image and heightens the conceptual meaning of the objects. In a sense, one could say, she pushes the distorted image and its history towards the viewer.
Diane Meyer, New Jersey V: 1979, Hand-Sewn. 2011 via yatzer
Diane Meyer, New Jersey V: 1979, Hand-Sewn. 2011
John Parkes quilt for the upper torso [with paternal resonance] 2012 via  found-stitched-dyed
ZoomInfo
lustik:

“A Buddha and dancing lions with lions masks” - Miga de Pan
lustik:

“A Buddha and dancing lions with lions masks” - Miga de Pan
lustik:

“A Buddha and dancing lions with lions masks” - Miga de Pan
lustik:

“A Buddha and dancing lions with lions masks” - Miga de Pan
p-dress:

1780’s Habit a la Francaise Outer Coat Collar Detail