kleidersachen
the small step between art and fashion

via blooming fabric my website

kleidersachen
mythologyofblue:


Stephan Würth

(mpdrolet)
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likeafieldmouse:

Tammy Rae Carland - Lesbian Beds (2002)
likeafieldmouse:

Tammy Rae Carland - Lesbian Beds (2002)
likeafieldmouse:

Tammy Rae Carland - Lesbian Beds (2002)
likeafieldmouse:

Tammy Rae Carland - Lesbian Beds (2002)
likeafieldmouse:

Tammy Rae Carland - Lesbian Beds (2002)
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likeafieldmouse:

Joseph Beuys - I Like America and America Likes Me (1974)
“A master of compelling performance pieces, Beuys flew to New York, picked up by an ambulance, and, swathed in felt, was transported to a room in the Rene Block Gallery. The room was also occupied by a wild coyote, and for a period of 8 hours a day for the next three days, Beuys spent his time with the coyote in the small room, with little more than a felt blanket and a pile of straw. 
While in the room, the artist engaged in symbolist gestures, such as striking a triangle and tossing his gloves to the coyote. 
At the end of the three days, the coyote, who had become quite tolerant of Beuys, allowed a hug from the artist, who was transported back to the airport via ambulance. He never set foot on outside American soil nor saw anything of America other than the coyote and the inside of the gallery.”
likeafieldmouse:

Joseph Beuys - I Like America and America Likes Me (1974)
“A master of compelling performance pieces, Beuys flew to New York, picked up by an ambulance, and, swathed in felt, was transported to a room in the Rene Block Gallery. The room was also occupied by a wild coyote, and for a period of 8 hours a day for the next three days, Beuys spent his time with the coyote in the small room, with little more than a felt blanket and a pile of straw. 
While in the room, the artist engaged in symbolist gestures, such as striking a triangle and tossing his gloves to the coyote. 
At the end of the three days, the coyote, who had become quite tolerant of Beuys, allowed a hug from the artist, who was transported back to the airport via ambulance. He never set foot on outside American soil nor saw anything of America other than the coyote and the inside of the gallery.”
likeafieldmouse:

Joseph Beuys - I Like America and America Likes Me (1974)
“A master of compelling performance pieces, Beuys flew to New York, picked up by an ambulance, and, swathed in felt, was transported to a room in the Rene Block Gallery. The room was also occupied by a wild coyote, and for a period of 8 hours a day for the next three days, Beuys spent his time with the coyote in the small room, with little more than a felt blanket and a pile of straw. 
While in the room, the artist engaged in symbolist gestures, such as striking a triangle and tossing his gloves to the coyote. 
At the end of the three days, the coyote, who had become quite tolerant of Beuys, allowed a hug from the artist, who was transported back to the airport via ambulance. He never set foot on outside American soil nor saw anything of America other than the coyote and the inside of the gallery.”
likeafieldmouse:

Joseph Beuys - I Like America and America Likes Me (1974)
“A master of compelling performance pieces, Beuys flew to New York, picked up by an ambulance, and, swathed in felt, was transported to a room in the Rene Block Gallery. The room was also occupied by a wild coyote, and for a period of 8 hours a day for the next three days, Beuys spent his time with the coyote in the small room, with little more than a felt blanket and a pile of straw. 
While in the room, the artist engaged in symbolist gestures, such as striking a triangle and tossing his gloves to the coyote. 
At the end of the three days, the coyote, who had become quite tolerant of Beuys, allowed a hug from the artist, who was transported back to the airport via ambulance. He never set foot on outside American soil nor saw anything of America other than the coyote and the inside of the gallery.”
likeafieldmouse:

Joseph Beuys - I Like America and America Likes Me (1974)
“A master of compelling performance pieces, Beuys flew to New York, picked up by an ambulance, and, swathed in felt, was transported to a room in the Rene Block Gallery. The room was also occupied by a wild coyote, and for a period of 8 hours a day for the next three days, Beuys spent his time with the coyote in the small room, with little more than a felt blanket and a pile of straw. 
While in the room, the artist engaged in symbolist gestures, such as striking a triangle and tossing his gloves to the coyote. 
At the end of the three days, the coyote, who had become quite tolerant of Beuys, allowed a hug from the artist, who was transported back to the airport via ambulance. He never set foot on outside American soil nor saw anything of America other than the coyote and the inside of the gallery.”
likeafieldmouse:

Joseph Beuys - I Like America and America Likes Me (1974)
“A master of compelling performance pieces, Beuys flew to New York, picked up by an ambulance, and, swathed in felt, was transported to a room in the Rene Block Gallery. The room was also occupied by a wild coyote, and for a period of 8 hours a day for the next three days, Beuys spent his time with the coyote in the small room, with little more than a felt blanket and a pile of straw. 
While in the room, the artist engaged in symbolist gestures, such as striking a triangle and tossing his gloves to the coyote. 
At the end of the three days, the coyote, who had become quite tolerant of Beuys, allowed a hug from the artist, who was transported back to the airport via ambulance. He never set foot on outside American soil nor saw anything of America other than the coyote and the inside of the gallery.”
Debbi Nitsan, Absorption
“All My Clothes” Bas Jan Ader. 1970
Francesca Woodman: The Blueprints (march 5- April 28, New York 2012) Marian Goodmn GalleryUntitled, MacDowell Colony, Peterborough, New Hampshire (M.492), 1979-80

Newly planted trees along a highway, wrapped to help them survive their first winter in harsh conditions.
Karen McRae via wood s lot
(unpalombaro)
ermietumblr:

Source? Tibet? Sorry…

Elaine Won
a shimacho–or stripe album–is a keepsake of home weaving swatches which was composed by families to remember the cloth they’ve woven. via srithreads
Ulrika Kestere … Once upon a time there was a girl who had 7 invisible horses…   via Colossal
Ulrika Kestere … Once upon a time there was a girl who had 7 invisible horses…  
via Colossal
Ulrika Kestere … Once upon a time there was a girl who had 7 invisible horses…  
via Colossal
Maria Fernanda Cardoso, Flower Like Emu 2006 emu feathers, steel, fibreglass netting, glue via Grantpirrie
Maria Fernanda Cardoso, Emu Loops 2006 emu feathers, steel, fibreglass netting, glue via Grantpirrie